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Art & Culture
Classical Dance and Music
Indian Classical Dance ". Abstraction of Upanishadic thought
which is diligently translated in to well design real language of
artistic media."
It was all started with Natya Shastra.
It is said to be written 2000 years ago by Bharata Muni, it is
the influential source book for dancers and performers. The mammoth
book covers all technological and aesthetic aspects of the art of
the Indian Theatre and Dance.
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From the purpose of natya, to the architectural
plan, stage rituals, Rasa, Bhava, Abhinaya, gestic communication,
music, types of instruments. 37 chapters that together form
the center of this charming performing art. Later century
works like Abhinaya Darpana, Abhinaya Chandrike, also have
great significance to the dancer today. |
Legend has it that the Devas (Gods) had beaten the Asuras (Evil)
and were relating the activities to Brahma, the God of Creation.
The Asuras thought this was a rehabilitated attack and retaliated.
Brahma intervened - "This is only a presentation, hence forth
it will only be held on earth".
And Brahma passed on all the information on Dance and Drama to
Bharata Muni who amasses it as the Natya Shastra.
Sculpture Comes To Life
Temples were raised to the house the Gods and became the central
point for the community. They also became centers of learning and
contributed to the progression of such arts as sculpture, painting,
music and dance. Mostly built by Kings, who were also the patrons
of arts, cheering continuity and enriching rituals of worship, the
earliest basis of the conventional performing arts.
It was from the temple, which the Devdasi cult (Temple Dancers
who performed for the Lord) began. Once a practice nationwide -
the Kulvantalu in Andhra Pradesh, the Maibi in Manipur, the Devdasi
in Tamil Nadu and the Mahari in Orissa, all draw their roots to
the temple. The countless sculptures of dance poses in the temples,
hint at the strength of dance as a path to spiritual adulation and
lays out a total lexicon of dance techniques.
For instance, it is said that the superior part of language of
Odissi dance is preserved in stone.
A rich inheritance to be brought alive by the artist.
Indian Folk and Tribal Dances
| Indian folk and ethnic dances are simple,
and performed to convey joy. Folk dances are performed for
every likely occasion, to celebrate the arrival of seasons,
birth of a child, a wedding and festivals. The dances are
very simple with minimum of steps or movements. The dances
burst with energy and vitality. Men and women perform some
dances entirely, while in some performances men and women
dance together. On many occasions, the dancers sing themselves,
while being accompanied by artists on the instruments. Each
form of dance has an exact costume. Most costumes are showy
with extensive jewels. |
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The northeast part of the nation is the home for over 60 tribes.
Each tribe has its own variety of tribal dances. The thrilling dances
of the Nagas and the Bihus of Assam are performed to celebrate spring
and harvesting.
The chief folk dance of Gujarat is the Dandiya, which is performed
using sticks. Each performer grasps two sticks, which they strike
alternately to the right and left while the set dances. They also
move obliquely, clockwise, anti-clockwise, as they strike the sticks.
Men, to the beat of the drum, perform the Bhangra dance of Punjab.
The dance includes a wide choice of leaps and jumps. Dancers stand
on each other's carry while dancing to the music.
There are hundreds of Indian folk and ethnic dances. Each region
of the India has its own folk dance. The bamboo dance of Mizoram
was performed by both men and women. While the men grasp the bamboo,
the women folk dance between the bamboos. In this act, the sound
of the bamboo hitting each other is the rhythm. Though dangerous
if a rhythm is missed, these skilled dancers perform with grace
and with care.
In the south, the dummy horse dance or the Poikalkuthirai is extremely
famous. Dancers would fit dummy legs to their legs and dance to
the tune of the music. Both men and women do this form of art. In
Tamil Nadu, dancers place a karagam or a bedecked jug, on their
head and dance while balancing the karagam.
While there are many folk and tribal dances, they are continually
improved. The skill and the mind's eye of the dances influence the
performance.
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